Review: Fake It ‘Til You Make It by Bryony Kimmings

Bryony Kimmings makes work about things that are personal to her, and things that make her angry. In her latest show, that’s male depression. More specifically, why men don’t seek help in dealing with their depression, resulting in a frighteningly high suicide rate amongst that gender. And why is it personal to her? Because, six months into her relationship with her fiancé and father of her unborn son, Tim Grayburn, she found that he had been hiding severe depression from her, and from the world, for ten years.

Typical of Kimmings, instead of screaming ‘betrayal’ and running away, she confronted the situation with her usual sensitivity and understanding, and set to work to do something about it. The result: Tim left his highly-paid job as an advertising executive to collaborate with her in making a show documenting the way in which his depression affected their relationship, learned to play the guitar (not very well, but that’s part of the charm of the piece), and joined her on stage to tour the show around the world for a year.

Read More

Review: A Strange Wild Song by Rhum and Clay

A Strange Wild Song stillRhum and Clay are a young company who have only been going a couple of years but they have already come to the attention of Arts Council England, as well as other notable organisations who are always on the lookout for exciting new talent to partner with, such as the New Diorama Theatre, the Bike Shed and the Watermill. If A Strange Wild Song is anything to go by, it’s hardly surprising that Rhum and Clay have much more established organisations queueing up to work with them, as they are a hugely talented group of actors with a real flair for storytelling.

Read More

New Website

Having spent a number of years acting as a consultant for arts organisations, without ever deliberately seeking the work, I decided it was time to advertise my services.  I am deeply committed to ensuring the survival of creative industries,  in particular (but not limited to) theatre companies.  I have helped quite a few of those grow, or survive difficult times, and their continuance vindicates my work in a way that is profoundly satisfying. 

Read More