Review: Blue Remembered Hills by New Rep Theatre

This is the first production I’ve seen by New Rep Theatre, which was founded four years ago by Mari Cameron and Cecilia Colby, and the play itself is a particular favourite of mine, although I have never seen it on the stage, despite being the proud owner of a copy of the original television version. So it was with great interest that I sat expectantly in the audience at the New Diorama, waiting for the show to begin.

Read More

Review: Where the White Stops by Antler Theatre

Antler Theatre is a new, young company, founded only last year (2012) by a group of students who met at East 15, under the mentorship of their tutor, Uri Roodner. In this way, they follow in the fine tradition of companies such as Trestle and Idle Motion, and their work certainly lives up to that legacy.

Where the White Stops, Antler’s latest show, is the story of Crab, a young girl who dares to step outside the boundaries of her village in the far north, and chance the wrath of the Beast who roams ‘the white’, to search for something else. On her way she meets Carpenters and Kings, makes friends and foes, and battles through cold and blizzards to find the elusive place where the white stops.

Read More

Review: Fiesco by The Faction

link-fiesco2013

The Faction produce a heady mix of classic, text-based, physical theatre which is a joy to witness.  They are dedicated to producing the complete works of Schiller, but also include other classics in their repertoire, such as Chekov, Lorca, Shakespeare and Strindberg, to name but a few.  But it was Schiller who drew me to the New Diorama Theatre on a cold January evening.  Last year I was privileged to see The Faction’s Mary Stuart, and I had high expectations of this latest production.  I was not disappointed.

Read More

New Website

Having spent a number of years acting as a consultant for arts organisations, without ever deliberately seeking the work, I decided it was time to advertise my services.  I am deeply committed to ensuring the survival of creative industries,  in particular (but not limited to) theatre companies.  I have helped quite a few of those grow, or survive difficult times, and their continuance vindicates my work in a way that is profoundly satisfying. 

Read More